I just finished reading a brand new book called
Madras on Rainy Days. The author, Samina Ali, is the new-kid-on-the-block among other Indo-American authors, and this book marks her entry into the literary circle.
I must say that Ali has a very individualistic style of writing. One of her quirks is that she writes using a lot of fragmented sentences. The beauty of it is that this is not at all jarring. It only adds authenticity to the narrator's monologue. Sadly, however, the book does not live up to its early promise. The plot soon succumbs to the all too familiar "Oh, life in India [especially for a woman] really sucks, and no Indian can ever be really happy because she [or he] is soooo trapped within stupid out-dated traditions."
Every single Indian author in recent times uses this ruse to reel the Western reader in. Their tales are all sagas of unbearable suffering. Their books never end on an "all's well that ends well" note. Seriously, this attitude is beginning to get on my nerves. I don't know if I want to take this India bashing anymore. I know that India has its share of problems, but is life in India so bad?
When I was growing up in India, in what was a typical middle-class Indian home, we did have our share of problems. Everyone around me had problems too. Yet, I did not, ever, see a single clinically depressed person. Somehow, maybe because Indians are such believers in destiny, people seemed to accept their share of trials as inevitable and went on with their lives. They met each day with energy and enthusiasm.
A typical example was my mother's
bai [maid-servant]. This woman had a very tough life. Her husband, when he was alive, used to drink everyday and hit her. She took to working as a maid-servant in order to feed her five hungry children and finance her husband's alcoholic binges. Later, she lost her husband, two young sons and one daughter-in-law in quick succession. With the men in the family gone, she had to support her two teenaged daughters and five grandchildren. Surely, misfortunes like these would make even the strongest heart crumble. Yet, this woman went about her daily chores with dignity and good cheer. She was always neatly dressed [despite the occasional tear in her sari] with a big red bindi, oiled hair and colorful glass bangles. She worked hard and eventually married off her daughters to good young men and educated her little grandchilren at the local municipal school. I can cite numerous such examples of courage, tolerance and acceptance.
It is only after migrating to the US that I began noticing sad, disheartened, lonely, depressed people. Despite all the material charms of this place, I cannot think of ONE friend who is totally satisfied with his/her life. There is something lacking somewhere. Going to a counsellor or a therapist is common place nowadays. Taking a sleeping pill in order to get some shut-eye at night is also something many of my friends do. It is simply a part of modern life in a so-called developed nation. Why then, does no one write about how life in the US sucks?
"So Maggi," you might ask, "if you dislike desi authors so much, why do you read their books?" What can I say? When I used to live in India, I didn't bother to read a SINGLE book written by a desi author. No, even as a grad student, I did not read books written by "authors of Indian English." Yet, now that I live in the US, the only books I seem to want to read [other than cheap paperback thrillers] are ones written in English by authors of Indian origin. Amitav Ghosh, Chitra Bannerjee Divakaruni, Jhumpa Lahiri, Shashi Tharoor, Anita Nair, Arundhati Roy...I've read them all...
Maybe my hands automatically reach out and pick books by desi authors because I miss India. I like reading about familiar themes and familiar places. I do like the references [they make] to local Indian customs [a lot of which I can identify with]. I also like the
Hinglish dialogues. What I don't like is the sheer melancholia of it all. Why can't writers of the new ilk model their work on old giants [and geniuses] like R.K. and Ruskin Bond? Yes, their writings are melancholic in part too, but there is much humor and wit hidden within the mundane routine lives their protagonists lead. Their musings about life in India are true-to-life without being overly sentimental and melodramatic. Reading about
Malgudi, for example, always brings a smile to my face. So, in order to counter the evil effects of Samina's woeful tale, I think I'll spend the next couple of days re-reading Bond's
Night Train at Deoli. My sad psyche needs some cheering up.